Schiphol Clock

I am, once again, in transit at Schiphol airport. It is 3.54 pm. I have a few minutes for a coffee and a snoop about before a connecting flight. There’s always something interesting to discover here like big luggage people.

Schiphol Clock 1

I see a guy cleaning a big clock suspended from the ceiling. He seems to be wiping the clock-face from the inside. I can’t understand why so many people have their smart phones directed upwards.

Schiphol Clock 2

He’s obviously taking the job seriously as he’s removed the minute hand to give that frosted glass a good polish! I go to find a coffee.

Schiphol Clock 3

At 4.03 pm I am striding towards my departure gate and pass the clock again. The guy is still cleaning away. People are still fascinated. He then serves up a surprise!

Schiphol Clock 4

With a rubber window-cleaning blade, at 4.04 pm, he scrapes off the minute hand …..

Schiphol Clock 5

….. and repaints it one minute later with a small roller. I grasp what this is about. He has been doing this all along minute by minute. This is a performance in real time. Lordielord! This is brilliant! I am riveted.

Schiphol Clock 6

Entranced, I watch him wipe away and repaint a slightly advanced hour hand. Inevitably, a series of questions run through my head. Is there someone really inside that box? How does he get in there? Is he an “artist” or an employee? Does he get a break? Is there a change of shift every hour or so?

Schiphol Clock 7

I am now late for my flight but I have to satisfy my curiosity. I look up at the back of the massive clock. Sure enough, there is a ladder and a door. It seems the guy really is inside. I run grinning like an idiot. My heart sings. I have just witnessed creative genius on a grand public scale. This makes my day.

Later internet research tells me this is the work of Dutch designer Maarten Baas. It is one of his “Real Time” series. For his “performance,” Baas wears a blue overall and uses a red bucket and a yellow cleaning cloth all in solidarity with all those folk who keep the airport spotless.

Inevitably – and with only a little disappointment – I learn that this is a precisely synchronised 12 hour-long video performance projected within a stainless steel box. The ladder and door into the “clock” build an illusion of reality; the viewer is led to imagine the guy descending from a hatch in the ceiling and locking himself into the box to do his job.

I just love how Schiphol goes to such lengths to bring beautiful stuff to travel-weary passengers. Admirable! Fabulous! Thrilling!

Watch the video!

Lunch at the Ariana

I am early for a lunch meeting at the Ariana Museum. I take a seat in the discrete little restaurant. The tables are as yet empty. There is a display of large china dishes and vases. Not so surprising given this museum’s standing in the world of ceramics and glassware.

Ariana 1

Jan De Vliegher “China Blue V&A” 2014 Acrylic on canvas

Then a double-take. This is not a display case. It’s a painting! I approach Jan De Vliegher‘s “China Blue V&A” in awe. The realism is extraordinary.

Ariana 2

Detail of China Blue V&A

More extraordinary still is that the tones, perspective and depth of field have been produced by a combination of the boldest of brush strokes, splashes and drips; a technique rarely associated with, let alone accomplishing, realism. I can’t draw my eyes away from this painting. This is master-class beautiful stuff.

Ariana 3

Paul March “In Pulverum Speramus” Clay, 2015

After lunch, I look around the rest of the museum. In a corner by a door I stumble upon something recognisably from the studio of Paul March. Five smooth ceramic forms are arranged in the pose of a sleeping dog. I want to pick up each part and heft it in my hand. The whole is pleasing. Although caught between abstraction and canine imagary, the piece captures the awkwardness of man’s best friend lying on a hard floor. The title is “In Pulverum Speramus.” My schoolboy latin tells me this reads something like “We hope in the dust.” (Perhaps Paul will tell us the “why” of this title?) His work has a way of finding corners in the Ariana. Remember his spider?

Nice day! Lunch with surprises! But then the Ariana has a way of serving up surprises.

Cracked London Bike Logos

Bike

You assume somebody designed this logo that you find on every 30 metres on every cycle lane in the city of London. And then you wonder if he or she thought ahead to how it would, with sun, rain and frost over the years, evolve from stencilled traffic designator to cracking and rather beautiful urban feature. You’d like to think so. On yer bike Andy Goldsworthy!

The Wind Tree

I am cycling along thinking of not a whole lot. What looks like a sci-fi futuristic tree-like sculpture has been installed outside that very discrete private bank Banque Piguet Galland at the end of my road, Avenue Peschier. I notice the “leaves” are turning in the light, cool January breeze. Intrigued, I stop and take photos. Still thinking this is “art” only, I find a brochure in the bank about the Wind Tree (Arbre a Vent®) and stumble upon a feel good story.

The Wind Tree 1

The Wind Tree is the brain-child of Jérôme Michaud-Larivière, free-thinking engineer and founder of NewWind R&D. Some years ago, whilst walking down a street, Michaud-Larivière noticed that although there was no perceptible wind, the leaves of the nearby trees were still fluttering. This got him thinking about how, in a city environment, the energy from winds from any direction can be harnessed. The outcome of his research is the Aeroleaf® a “biomimetic wind turbine.” The whole arborial structure upon which the 63 Aeroleaves are deployed is a design masterpiece by Geneva’s very own Claudio Colucci.

The Wind Tree 2

NewWind’s aspirations are inspirational. “What was gigantic, NewWind has made small. 
What was unsightly, NewWind has made beautiful
. What was unique, NewWind has multiplied
. What was far away, NewWind has brought close to home. 
What was noisy, NewWind has made silent.”

As a statement of its corporate view of an eco-responsible future, Banque Piquet Galland bought and installed this Wind Tree; one of the first five produced. The brochure tells me that it can produce enough electricity to power 15 street lights, an 100m2 office environment and most of the domestic energy needs of a family of four. Such technology should bring a sustainably greener future for the 70% of the world’s population who live in urban environments.

Beautiful stuff! It brings hope!

An extinct car in Schiphol airport!

Schiphol

I hurry through Amsterdam’s crowded Schiphol airport late for my flight connection. Whooaaaaa! What’s that? I snap a photo. Others do the same. I assume the airport authorities have commissioned some contemporary sculpter to lighten the mood of stressed travellers. But, no! This is an advertisement for Sixt Car Rentals. Well…. they certainly caught my eye. The wooden board reads: “Thanks to Sixt, expensive car rentals are extinct.” Bravo, Sixt! Nice idea!

It works. I love the skeletal dinosaur theme implying extinction. Yet it’s clearly based on a reasonably modern car. And it makes me laugh. I particularly like the spoiler and the little boney rear-view mirror. But of course, it’s basic appeal (for me at least) is because of it’s immediate association with The Flintstones. Talking of whom…. I understand that a recent survey of Middle Eastern countries about American television reveals that the people in Kuwait don’t like Fred Flintstone, but the people in AbuDhabidoooooooo!