A Letter to Tracey Emin

This is a guest post by Bonnie Golightly.

Tracey Emin 1

Tracey Emin “My Bed,” Installation, 1998

Dear Tracey,

I know you’ve come in for quite some stick for “My Bed.” Is that really art? Anybody could have done that! How was that shortlisted for the 1999 Turner Prize? etc. etc. I have to admit I was a bit baffled myself. (Was it really worth that much?) But as I tootled happily around Tate Britain the other day, I happened upon “My Bed.” I found myself intrigued, then mesmerised and ultimately quite moved.

The blurb on the wall says “By virute of bringing the domestic into the public sphere without directly representing specific events, the installation is forcefully and compellingly suggestive of personal narratives.” I’ll say! I stood and looked. I walked around. I then realised that “My Bed” was boring into my heart. The mess of the soiled sheets together with the bedside scut of discarded underwear, fluffy toys, well-worn slippers, vodka, cigarettes and KY recalled a whole raft of good, bad, sad and indifferent moments of my life. So many things and times I might – or might not – want to leave behind! And then, to my surprise, I found the sad, saccharine squalor of it all quite eye-watering. In fact, it made my day. So, thank you, Tracey. I hope you’re doing OK now.

Lots of love,

Bonnie

PS I really went to Tate Britain to see the Frank Auerbach exhibition. Not my cup of tea!

PPS As you know, “My Bed” is installed next to two Francis Bacon paintings and a series of your own drawings. I’ve never liked FB’s paintings.

PPPS I need help with your drawings.

Tracey Emin 2

Tracey Emin “I could feel you” Gouache on paper, 2014

One thought on “A Letter to Tracey Emin

  1. Pingback: The 2016 Turner Prize Shortlist: Baffling, Brazen, Banal and Beguiling | Talking Beautiful Stuff

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