Ross Coupland’s bird photography in the time of COVID-19

Here’s a fabulous selection of bird photographs taken recently in the Queensland outdoors by Australian wildlife expert, Ross Coupland. Great images! A great read! Great Lockdown Beautiful Stuff!!


During the COVID-19 pandemic, I was reduced to three days’ work per week. This gave me time to get out into ‘the bush’, in isolation; watching and waiting for good photo opportunities. I have selected my favourite shots from this time for Talking Beautiful Stuff.

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Beach Stone-curlew

As the global pandemic gathered pace, in March 2020, I took a trip to Rainbow Beach north of Brisbane. The area is part of the Great Sandy National Park, an area of over 2000 km2 comprising threatened coastal habitats and including Fraser island, the world’s largest sand island. I found a family of Beach Stone-curlews living on a spit of sand, close to where the ferry loads and unloads thousands of 4WDs every year. Returning at sunset, I was able to get close to one of the birds as they are less shy and become more active towards the end of the day. The setting sun provided a beautiful, golden backlight. The species is threatened in parts of its range, as coastal areas are continually developed for tourism and local recreational use.

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Comb-crested Jacana

With COVID-19 restrictions being placed on travel throughout the state of Queensland, I was limited to areas close to home. Thankfully, here in Brisbane there is no shortage of parks, reserves and forests within an hour’s drive. Visiting one of my favourite lakes early one morning I saw a lone Comb-crested Jacana foraging on the lily pads. Their incredibly long toes make walking on the flimsy substrate a breeze; some people call them Jesus birds. I was able to get a nice, low angle by laying on the lake shore, blurring the lilies in the background.

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Forest Kingfisher

At the same lake, there is a family of Forest Kingfishers that hunt the shallow waters around the vegetated inlets. They use a few, select perches to watch for small fish and insects, one of which is a dead tree close to the walking track. I set up my tripod and camera behind a tree on the bank with just the end of the lens protruding and waited…. and waited.. Finally, after 2 hours, one of the kingfishers settled right in front of me with a small fish in its beak.

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Rose-crowned Fruit Dove

By August and with restrictions easing in Queensland, I took a trip to Bribe Island that is accessible via a road bridge to the mainland. It is an important area for many bird species. There is a small population of Rose-crowned Fruit Doves which are known to over-winter there, in a small patch of remnant, coastal rainforest. They seem to feed almost exclusively on the berries of a single Corkwood tree. These are normally shy, secretive birds that live in rainforest canopies on the mainland, so this was a good opportunity to capture an image of this spectacular species.

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Regent Bowerbird

As spring approached, I visited a friend’s property where several Giant Spear Lilies had sprung into bloom. These impressive plants produce enormous flower-spikes with bright orange-red flowers that act like a beacon to birds and insects from the surrounding green rainforest. One of the birds that visited was this male Regent Bowerbird. The males have a striking combination of yellow and black feathers, whereas the females sport a rather drab, scalloped brown. Male Bowerbirds are well known for their habits of building unusual and sometimes spectacular structures out of twigs and decorating them with a wide variety of foraged items. These structures are used as display platforms to entice in female birds to mate. The females then build regular nests in the forest nearby and raise the chicks alone.

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Paradise Riflebird

The species I was really hoping to see on the Giant Spear Lilies was the elusive Paradise Riflebird. This is one of four species of birds of paradise found in Australia and the most southerly occurring. They are hard to see at the best of times; it is rare to get a chance of a good photo. The males have an iridescent quality to their plumage, only visible at the right angle of light. In the hope that a male bird would visit, I set up with my camera underneath a special camouflage net and waited. Sure enough, after about an hour the male arrived to probe the flowers for nectar with his specialised bill. The thin fog in the area gave a nice, diffused light that was perfect for bringing out the subtleties in the bird’s plumage.

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Crimson Rosella

Another bird that is common in the same area is the Crimson Rosella. These colourful parrots are generally found in more temperate regions and in Southeast Queensland are restricted to mountainous areas with cool, wet forest. I found one feeding on a roadside Rondeletia bush. When parrots are feeding, they can be quite approachable if you do nothing to alarm them.

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Musk Lorikeets

On a trip to the western part of the Scenic Rim, a crescent-shaped mountain range southwest of Brisbane, I found a group of huge Grass trees in full bloom. These impressive flower spikes are particularly prolific after fire and are a magnet to nectar-feeding birds such as Honeyeaters, Lorikeets and Spinebills. I have struggled to get close to Musk Lorikeets in the past as they are nomadic and usually feed high up in flowering Eucalyptus trees. I was delighted to find about ten of them feeding low down on the Grass tree flowers. When a pair was feeding on a close flower spike, I turned the camera to portrait orientation to capture both birds in the image. They seem quite content with me being close by while they fed.

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Barred-cuckoo Shrike

The weather begins to really warm up in Brisbane around the beginning of October; migrating birds from the north appear. Among them is the secretive Barred-cuckoo Shrike. I had never seen this species in Brisbane before and was able to get a clear shot of this one perching high in a Small-leaved Fig tree.

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Channel-billed Cuckoo

Reports of Channel-billed Cuckoos arriving in the area had started to come in on social media! These raucous brood-parasites from New Guinea make their annual southerly migration to Australia around October; they use unstable air masses and thunderclouds to ease the effort of the long-haul flight. They are consequently known by their colloquial name ‘Stormbirds.’ They are the largest cuckoo in the world. Many folk dislike them for their sullen appearance and loud squawk while flying around at dusk and dawn. However, I rather like them and consider their presence a welcome omen of warmer, productive times ahead for the natural world!

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Pale-headed Rosella

We are fortunate in Brisbane to have several sizeable botanic gardens which are beautifully maintained by the council. One of them has an impressive native plant section including Grevilleas that when flowering attract one of the most spectacular parrot species in the area, the Pale-headed Rosella. These are notoriously hard to get good, close views of. They are intelligent birds and highly wary. However, the birds in these gardens are perhaps more accustomed to human traffic and seem happy to be approached while feeding.

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Diamond Firetail

In mid-October, my wife, Kelly, and I took a trip to the Granite Belt region, about 3 hours southwest of Brisbane. The striking granite outcrops make for interesting scenery along the way. This area offers glimpses of a stunning variety of birds. On this trip, I clocked up 87 species of which ten were completely new to me. A highlight was staking-out a muddy puddle on the edge of a road where different birds would busily vie for position to take a quick drink after a hot day’s foraging. The star of the show was the spectacular tiny Diamond Firetail. This is one of Australia’s beautiful, arid-adapted finch species. It lives on the edge, making the most of the boom and bust climate when times are good.

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Zebra Finch

Possibly the most successful arid-adapted finch species in Australia, is the Zebra Finch. Found over much of the dry interior of the country, they can survive for extended periods on only dry seeds and have been observed drinking water of high salinity that other species could not tolerate. This was another first for me and, in this image, a male bird is being harassed by his sizeable brood for a meal of regurgitated seeds!

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Red-rumped Parrot

The final image of my selection is a male Red-rumped Parrot. The species is generally only found west of the Great Dividing Range (a north-south spine of mountains separating the greener coastal strip of eastern Australia from the drier interior) where they live a semi-nomadic existence taking advantage of green, seeding grasses and vegetation where available. To get a low-angle to throw the background out of focus, I had to lay down on angry-ant-infested ground! Worth the effort, I reckon!

All images were taken on Canon equipment, mainly the Canon 1DX full frame DSLR body, paired with the EF 600MM f4/L IS II lens and 1.4X and 2X teleconverters in some cases. I shoot exclusively in RAW format and process in Adobe Photoshop CS5 using a monitor calibrated by a Datacolor Spyder 3. Some images were handheld, others used a Gitzo carbon fibre tripod paired with an Arca Swiss Z1 bullhead and Wimberley mounting plates.


Copyright on all photos: Ross Coupland

Lockdown Beautiful Stuff – Part 9

“Taken today in our garden. A yellow Rose in memory of my Mum, who loved them.”

– ‎Lizzie Reynolds

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Lockdown Beautiful Stuff! Have you done a painting, taken a photo or made any other beautiful stuff as a result of having to self-isolate at home? Please send us a photo and two lines of text indicating the why of it and what it means to you. We guarantee to publish it on Talking Beautiful Stuff in the weeks to come. Thank you!

Lockdown Beautiful Stuff – Part 6

“A lockdown day’s sunset through my window. It rained all day long, then there was a cross in the sky…”

– Robert Ramser

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Lockdown Beautiful Stuff! Have you done a painting, taken a photo or made any other beautiful stuff as a result of having to self-isolate at home? Please send us a photo and two lines of text indicating the why of it and what it means to you. We guarantee to publish it on Talking Beautiful Stuff in the weeks to come. Thank you!

Tokyo through the lens of Lee Chapman

I’m in Tokyo for work. It’s my first time here. I’ve got a busy week ahead, but have booked a Saturday to look around and do some photography. Fuelled by my passion for games, technology and geeky stuff, the Japanese capital has always topped my list of places to go. I’m excited. I don’t want to get disappointed. I want to love this place.

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Photo by: Lee Chapman

With its top-ten listicles and user reviews, Google advises me to check out the famous Shibuya crossing, the Sensō-ji temple and the Skytree observation deck. I’m doing nothing of that. Instead, I have arranged to meet with Lee Chapman, a local photographer, who has offered to show me around. There is no set theme, but we have agreed to stay away from the must-see sights and rather look at some older parts of Tokyo and for ordinary people doing ordinary things. I’m not sure what to expect.

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Photo by: Lee Chapman

It’s late August. The weather app promises sun, heat and humidity. I grab my camera and a bottle of water, gobble down some breakfast and head to the subway. My hotel is located in Roppongi, a central district known for its nightlife and expat community. Last night, I found some good food and an interesting exhibition here, but it could as well have been in London or New York. I want local.

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Photo by: Lee Chapman

Lee and I meet at the subway exit. His handshake is firm and he greets me in a noticeable British accent. He travels light, with a small backpack and a Leica rangefinder. “This city is made for walking,” he tells me. “There are lots of interesting stuff you can only find when you’re on foot.” I tie my shoelaces and tighten my camera strap.

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Lee Chapman, 24 August 2019. Photo by: Isaac Griberg

Lee grew up in Manchester and made his own Brexit in the late 90s. In the search for change and adventure, he boarded a flight to Tokyo for a one-year gig as English teacher. He bought a camera, fell in love with the city and his wife-to-be. For over two decades, Lee has documented life in the megapolis he now calls home. “The longer you spend exploring this place, the more there is to find,” he tells me.

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Photo by: Lee Chapman

We make our first stop at a peaceful market in Minowa, an older district of Tokyo. It seems like this place hasn’t seen a lot of change in a long time – in particular when you notice the shop owners and their clientele. “I love this place,” Lee says with a smile. “Most people here are in their 80s or 90s, still running the family business as they’ve always done.”

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Photo by: Lee Chapman

I can see that Lee has been here before. As we walk through market, he stops to chat with the people we meet, points out interesting stuff to photograph, and explains how the area demonstrates one of Japan’s greatest challenges – an ageing and shrinking population.

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Photo by: Lee Chapman

As I move around, compose my shots and press the shutter, I realise how Lee’s presence, acceptance by the community and fluency in Japanese are giving me both confidence and access to snap photos of people and places I would not have discovered on my own.

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Photo by: Lee Chapman

We leave the market and continue our walk towards Ueno. I notice a difference in the shape and state of the buildings we pass. Some look patched-up, others deserted. An old bicycle embraced by nature invokes a feeling of tranquility and loneliness. “It’s expensive to inherit a property here,” Lee tells me while showing a photo of an elderly woman standing on the porch of the now-abandoned house in front of us. “So, when someone passes away, the house might just be left as it is.” Is this really Tokyo?

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Photo by: Lee Chapman

Some would probably describe Lee as an urban explorer and street photographer, but I think there is much more depth to his character and to what he does. His photos commit moments to eternity. By returning to the same streets for over two decades, documenting the people living there, Lee is a preservationist of life and his work is a longitudinal study of the ever-changing Tokyo. I’m impressed.

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Photo by: Lee Chapman

Evidently, his work has been published in several top-tier media, most recently in The Guardian. I ask Lee if he ever thought of exhibiting his photos in a gallery. “If I did that, I’d like it to be in the setting where they were taken,” he answers. “Perhaps in a small shop or bar, providing context through the people working there, the ambiance.”

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Photo by: Lee Chapman

We grab a quick bite, stroll through the remnants of a post-war black market and make our last stop in Golden Gai. Tucked away in a corner of the red-light district, this maze of tiny bars connected through narrow passages is a relic of the past. “The area rose from the ashes of the Second World War,” Lee tells me. “I hope it won’t be bulldozed to make room for another skyscraper.” I peek into a few bars and notice how guests laugh and trade elbow space for drinks. Despite the rather dodgy feel, this seems to be a happy place.

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Photo by: Lee Chapman

Talking Beautiful Stuff is about the human impulse to create. You find beautiful stuff in people’s homes, in galleries, by the roadside and – sometimes – where you least expect it. When I woke up this morning, I thought I’d spend the evening writing about some jaw-dropping installation or an eccentric street performance, not about the photographer who would show me around. By sharing his wealth of experience and eye for photography, Lee has helped me discover a Tokyo I didn’t expect. I feel privileged and I’ve made a friend.


All photos in this blog published with kind permission from Lee Chapman himself. You can find out more about Tokyo photo walks on his website. Should you like to see any of the photos I shot during our walk, please check out my Instagram post.

Tate Britain: exhilarating and exhausting

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Tate Britain bowls me over again. In one hit – in retrospect, a mistake – I get to take in the work of Vincent Van Gogh and Don McCullin with Mike Nelson as the bonus prize. These three stunning exhibitions could not be more different. I only have the morning. I move through them perhaps too quickly; the resulting cocktail of emotions takes me surprise.

Van Gogh came to London in 1873 at the age of twenty; he lived here for three years. England and english people inspired him; when his work became well-known, he in turn inspired English writers and painters.

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Vincent Van Gogh “Prison Courtyard” Oil on canvas 1890 (after Gustave Doré, “The exercise yard at Newgate Prison” Engraving on paper 1872.)

Long after leaving England, he painted a prison exercise yard. This was inspired by a fascination for London’s seedy underbelly and descriptions of the city’s prisons by Charles Dickens: a writer whom the young painter admired greatly.

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Vincent Van Gogh “Starry night” Oil on canvas, 1888

Years after his death in 1890, Van Gogh’s work was labelled “post-impressionism.” Some found the style shocking but exhibitions of his paintings in London drew thousands. The hall-mark brushstroke technique was eagerly adopted by the Camden Town Group of painters.

Soothed and enchanted by Vincent’s starry, starry night, I believe myself ready for Don McCullin. Wrong again!

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Don McCullin “Londonderry, Northern Ireland” 1971

Don McCullin is a legend. This comprehensive show covers his extraordinary sixty-year photographic trajectory through the world’s worst trouble – misery spots. There is a reason that the Tate has an advisory notice pertaining to his images. Much of the subject matter is heart-wrenching; the outstanding quality of the (self-printed!) photographs only serves to make them more powerful still. And there are hundreds of them. I recoil from the man-made suffering, the executions, the starvation and the dead bodies. It cuts just that bit close to my bone. I notice that the many viewers fuse into a sort of silent, shuffling, heavy-weight-around-neck chain gang tasked with looking at McCullin’s photos. Some of us loiter around his own escapism in the relatively few but exquisite landscapes and still-life studies.

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Don McCullin “Shell-shocked US Marine, the battle of Hué” 1968

I confine my focus to his portraits. Even these can be harrowing. Probably the best known is the Vietnam shell-shocked American soldier of whom he took several photos and who neither moved nor blinked over several minutes. In the trade, this is known as the “thousand-yard stare.” McCullin admits that receiving praise for photographing the suffering of others sits uncomfortably in his soul.

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Don McCullin “A boy at the funeral of his father who died of AIDS, Kawama cemetery, Ndola, Zambia” 2000

I try – and fail – to imagine how McCullin has been able to cope with the extreme insecurity and distress inherent in his chosen contexts and then function professionally and creatively. I leave this landmark exhibition steeped in admiration for the man, his endurance, his compassion and for what he has achieved with his talent.

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Mike Nelson “The Asset Strippers” (part of) 2018

I literally stumble into the Duveen galleries; the main central space of Tate Britain. I am looking at some old telegraph poles and a section of a wide concrete pipe laid out on some canvases all in a kind of makeshift roofless shed.

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Mike Nelson “The Asset Strippers” (part of) 2018

The galleries are full of old machinery and a variety of heavy objects mostly associated with manufacture. Everything sits on a neat stone plinth. Is it an industrial museum? Is it a contemporary installation? Is it a tongue-in-cheek collection of big old heavy mechanical and electric stuff. Well…. all of the above! And what’s more, it contrasts rather deliciously with the classic architecture of the space. What I am standing in – and enthralled by – is “The Asset Striipers” created by Mike Nelson for the annual Tate Britain Commission.

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Mike Nelson “The Asset Strippers” (part of) 2018

Nelson’s concept for the commission is that the Duveen Galleries become a kind of warehouse of objects that serve as monuments of Britain’s former industrial wealth just as the industrial is being superceded by the digital; as manufactrure is being superceded by service. To make the point, he selected and purchased all the objects through on-line auctions of asset strippers and company liquidators. I find the concept at once brilliant and intriguing.

Then suddenly I am drained. I feel as though I have just climbed off one of those roller-coaster rides that is supposed to be fun but, in reality, precipitates spells of wheeeeee… and white-knuckle nausea. I head for the main exit with a haste that surprises me. I find calm on Millbank; the black taxis, the River Thames and the unseasonably warm May London sunshine.

All images reproduced here thanks to Tate Britain.