We’ve had a variety of reactions to our recent post Graffiti in Rome: vandalism or beautiful stuff?. Garth has sent us these two photos from a visit he paid to Geneva last year. He liked the elephant defaecating in a drain and also the confrontation brought by the black messianic face. Look out for a post soon about his moving description of a memorial to the Confederate Soldier in New Orleans.
Last week, we featured Peter Hobden’s cityscapes. At present, he lives in Manila and has sent us two of his latest: both 60cm x 50cm oil on canvas. He’s done it again: gorgeous colours and big city atmosphere!
Alison Hale grew up and still lives on the rugged west coast of New Zealand’s South Island. She has painted every facet of country life there and has won high acclaim for doing so. New Zealanders collect her work avidly seeking a glimpse of a bygone era.
Dark of the Night: 70cm x 50cm oil on canvas.
Alison’s formative years were spent riding, rounding up, caring for and dreaming about working horses; no surprise then that horses feature prominently in her painting.
Unfinished Business: 122cm x150cm oil on canvas.
Her horses live. They are anatomically and ergonomically correct. Her oil is liberally thinned and in places runs down the canvas reminding the viewer of the never-ending west coast rain.
Out of the Blue: 93cm x 21cm oil on canvas.
Alison is based in the unlikely mining town of Reefton. Since I met her there in 2006 working in her studio, her theme has moved steadily away from a wet and gritty country reality towards the equine dream-world of her younger days. Now, elegant fantasy horses in fantasy settings step forward onto her canvases. These are beautiful, technically accomplished and captivating paintings. They too will be eagerly collected by her compatriots.