About Robin

Occasional painter. Golfer. Fascinated by humanity. Passionate about beautiful stuff, the people who create it and its narrative.

Alison Hale’s horses

Alison Hale grew up and still lives on the rugged west coast of New Zealand’s South Island. She has painted every facet of country life there and has won high acclaim for doing so. New Zealanders collect her work avidly seeking a glimpse of a bygone era.

Alison Hale 1

Dark of the Night: 70cm x 50cm oil on canvas.

Alison’s formative years were spent riding, rounding up, caring for and dreaming about working horses; no surprise then that horses feature prominently in her painting.

Alison Hale 2

Unfinished Business: 122cm x150cm oil on canvas.

Her horses live. They are anatomically and ergonomically correct. Her oil is liberally thinned and in places runs down the canvas reminding the viewer of the never-ending west coast rain.

Alison Hale 3

Out of the Blue: 93cm x 21cm oil on canvas.

Alison is based in the unlikely mining town of Reefton. Since I met her there in 2006 working in her studio, her theme has moved steadily away from a wet and gritty country reality towards the equine dream-world of her younger days. Now, elegant fantasy horses in fantasy settings step forward onto her canvases. These are beautiful, technically accomplished and captivating paintings. They too will be eagerly collected by her compatriots.

Peter Hobden

Peter Hobden has a quiet demeanour. He speaks little of his important work in computing or of his expertise in digital photography. Early retirement allows him to widen his horizons further. He takes up painting in 2007 under the demanding tutelage of Hélène Burgi. In short time, he develops and masters the loose and relaxed brushstrokes in bold oil colours that become his trademark technique. One would assume he would focus on the natural world but, surprisingly, his forte is the cityscape. On medium-size canvases, his style and chosen theme merge to great effect. The result is atmosphere.

Peter Hobden 1

In 2010, I visit Peter’s studio in Geneva shortly after he and his wife Sophie return from a trip to Italy. He shows me a canal scene in Venice. I fall for it and buy it immediately. But Sophie can’t bear to see Peter’s pictures leave the studio. It is as though a part of him is also disappearing.

Peter Hobden 2

His technique advances. The #TwitterArtExhibit stipulates a post-card size work. Peter’s entry in 2012 is a delightful 16cm x 12cm dash of oil on card creating an evening street scene in Carouge, Geneva.

Peter’s work has evolved rapidly. This evolution is unlikely to stop now. Perhaps in the near future, Talking Beautiful Stuff will blog about Peter reaching back to expertise in other domains to master digital painting. Then his work doesn’t have to leave the studio!

Bruce Bay cairns, New Zealand

In Maori mythology, southern right whales (tohorara) have god-like status. Hoping to glimpse these increasingly rare beasts, tourists driving the west coast of New Zealand’s South Island stop at Bruce Bay. Weather permitting, people from every continent get out of their rented vehicles and stare out to sea. They have time on their hands. There is no café; only the road, the ocean and the rocks in between.

Bruce Bay 1

Something in this wild, beautiful place impels the visitors to leave hundreds of carefully balanced cairns. Some are simple; some show ingenious engineering skills; some are beautiful. All have a primitive appeal. Are they just marks of passing for the next tourist or is there at play some great whale-spirit?

Bruce Bay 2

Bruce Bay 3

Bruce Bay 4

Bruce Bay 5

I left my own cairn at Bruce Bay but I felt like an intruder. Reassuringly, it will have been washed away, like the others, in one of the great storms that lash this rugged coastline.

There is a Maori cemetery at the end of the beach.