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Julien Spiewak and the Unkown Masterpiece

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…the preceding years. Portrait d’Honoré de Balzac en plâtre patiné de Pierre-Eugène-Émile Hébert (1877), Julien. Maison de Balzac. 2020 Serendipity having added a new dimension to his project, Julien then set about doing his thing at the Maison de Balzac. He was also gifted a facsimile of the first edition of Le Chef-d’Oeuvre Inconnu. It’s pages with Julien’s annotations linking his photographs with Balzac’s prose are also on show at Espace L. But… Continue reading →

Perfect Parrot

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…e perfectly balanced in form and tone. He or she might realise that the eye-comfiness is augmented by the dark marginal line serving as a frame to be both respected and encroached upon. With further reflection, he or she might conclude that the sophistication has been further amplified by child-like application of the paint whilst the forms and colour choices are far from childlike. But …. “Perfect Parrot” was painted by a child! Josephine is eigh… Continue reading →

The World Turns by Michael Parekowhai

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…e world turns, there are many other stories – and these are central to our understanding of history”. Now I am truly confused! Obscure and multiple meanings, poorly written, do not serve this wonderful work well in my opinion. I walk away, annoyed that what I consider to be pretentious “art speak” has spoilt my complete enjoyment of the sculpture. This situation forces me to think about which is ultimately the more important, the work or the idea… Continue reading →