About Robin

Occasional painter. Golfer. Fascinated by humanity. Passionate about beautiful stuff, the people who create it and its narrative.

The Wind Tree

I am cycling along thinking of not a whole lot. What looks like a sci-fi futuristic tree-like sculpture has been installed outside that very discrete private bank Banque Piguet Galland at the end of my road, Avenue Peschier. I notice the “leaves” are turning in the light, cool January breeze. Intrigued, I stop and take photos. Still thinking this is “art” only, I find a brochure in the bank about the Wind Tree (Arbre a Vent®) and stumble upon a feel good story.

The Wind Tree 1

The Wind Tree is the brain-child of Jérôme Michaud-Larivière, free-thinking engineer and founder of NewWind R&D. Some years ago, whilst walking down a street, Michaud-Larivière noticed that although there was no perceptible wind, the leaves of the nearby trees were still fluttering. This got him thinking about how, in a city environment, the energy from winds from any direction can be harnessed. The outcome of his research is the Aeroleaf® a “biomimetic wind turbine.” The whole arborial structure upon which the 63 Aeroleaves are deployed is a design masterpiece by Geneva’s very own Claudio Colucci.

The Wind Tree 2

NewWind’s aspirations are inspirational. “What was gigantic, NewWind has made small. 
What was unsightly, NewWind has made beautiful
. What was unique, NewWind has multiplied
. What was far away, NewWind has brought close to home. 
What was noisy, NewWind has made silent.”

As a statement of its corporate view of an eco-responsible future, Banque Piquet Galland bought and installed this Wind Tree; one of the first five produced. The brochure tells me that it can produce enough electricity to power 15 street lights, an 100m2 office environment and most of the domestic energy needs of a family of four. Such technology should bring a sustainably greener future for the 70% of the world’s population who live in urban environments.

Beautiful stuff! It brings hope!

Celebrating the 2016 Rio Olympics with “naïve” Brazilian paintings

Rio Olympics 1

Fabio Sombra, Untitled Acrylic on board, 54 cm x 72 cm, 2000

I just love this picture! Fabio Sombra painted it with the idea of the Olympic Games in Rio on a far horizon. At first pass, you might be forgiven for thinking it is done by a talented child. At second pass, you would notice the graded sky, the perfect composition, the balance of colour and the convincing anatomical pose of each athlete. On further consideration, you would take in the multiple ingenious details from the cameraman at the foot of the Olympic steps (who, confused by the abundance of scenes, is pointing his camera at one thing whilst looking at another) to the two little Red Cross guys helping an injured and grimacing athlete off the track. Of course, Brazil wins!

This is no childish work but there is an innocent charm about Sombra’s painting. It is naïve! It makes me happy. It has a James Rizzi appeal. It features on the invitation to the current exhibition “Rio Naïf et les Jeux Olympiques” at Espace L.

Rio Olympics 2

Gerson, Untitled, Oil on board, 24cm x 19cm, 1994

I call in at Espace L. Its founder, Laeticia Amas, believes that naïve Brazilian paintings have not been shown in Geneva before. I find the whole narrative fascinating and can’t help smiling and swinging along with Gerson’s two happy-cool-clown-trapeze artists.

As an Olympic celebration, the exhibition is set to travel this year to other Swiss destinations with close collaboration between Espace L and the Museu Internacional de Arte Naïf do Brasil (MIAN) in Rio, the Basel-based foundation Brasilea and the Consulate General of Brazil in Geneva.

Rio Olympics 3

Magda Mittakis, Untitled, Acrylic on multiple boards, 24cm x 19cm each, 2015

According to Jacqueline A Finkelstein, conservator of MIAN, the term “naïve” was originally applied to the work of Henri Rousseau (1844-1910) who started painting his signature jungle scenes in his forties and famously said he had “no teacher other than nature.” This glorious montage of small paintings by Magda Mittakis shows just how enduring Rousseau’s influence is.

Rio Olympics 4

Barbara Deister, “Brasil, campeo natacao” Acrylic on board, 30cm x 20cm, 2015

The exhibition is also dedicated to the paralympics. Barbara Deister’s naïve gem shows amputees on the medal podium for a swimming event, an ecstatic crowd and – inexplicably and wonderfully (or maybe just naïvely!) – a white duck in the pool! And of course, Brazil wins! It’s fabulous!

Bravo, Espace L … and good luck with this ambitious project!

The exhibition runs until 5 March.

Art Genève 2016… by the lakeside

It’s that time of year! Art Genève opens tomorrow. The lakeside extension is up and running already. For January, the day is surprisingly warm and calm.

Art Geneve 22

The first work I come across consists of five huge iron nails lying on the walkway. This is “Los Carpinteros: Clavo 4 to 8” by Cuban sculpters, Dagoberto Rodriguez Sanchez and Marco Antonio Castillo Valdes. Fun! But at the same time it generates an uncomfortable feeling. Big hammers and big forces…. all gone wrong. The nails are irreparably bent, pulled out and discarded! Reminds me of hanging pictures!

Art Geneve 23

My next find is Tony Cragg’s magnificent bronze “Tommy.” It is organic and dominant. The overall form defies parallels. Next to it is Yue Minjun’s steel “The Tao Laughter No. 4” which clashes with everyone and everything around it. The laughter is harsh. I couldn’t imagine two more dissimilar works next to each other.

Art Geneve 24

What really grabs me is a thoroughly contemporary statement by Yarisal and Kublitz. Their “EMOJI TOTEM (screw you guys I’m going home)” is really thought provoking. Is our phonetic writing about to be displaced by a new symbolic language based on emojis? Wow! I hadn’t considered this.

The weather forecast is good for the next few days. Take a stroll along the lakeside. There’s lots of beautiful stuff to see!