About Robin

Occasional painter. Golfer. Fascinated by humanity. Passionate about beautiful stuff, the people who create it and its narrative.

Roger Bunting’s “Every twenty minutes” landmine medal

Can beautiful stuff talk about ugly stuff?

Antipersonnel mines became a major issue for international public concern in the mid-1990s. As a TV cameraman, Roger Bunting made award-winning documentaries about the horrific impact of these weapons in Afghanistan and Angola. His most highly acclaimed film, made for the International Committee of the Red Cross, is an instructional film for surgeons about mine injuries. It is both brilliant and sickening.

Bunting 1

On retirement, Roger decided to study fine arts. A first class honours degree was inevitable. One of his 2005 classroom works was a 7cm x 7cm caste bronze medal: “Every twenty minutes.” It became part of a Europe-wide touring exhibition of medal design. The appeal of the piece lies in its inherent paradox: the beautiful representation of the unknowing split second before the awful detonation.

Bunting 2

To pick up the medal is to feel a smooth, pleasing, bronzy weightiness. To inspect it and to turn it over in the palm of your hand is to confront a terrible reality.

Martin La Roche: an imagination for urban details

Martin La Roche 3Martin La Roche trained in graphic design in London. He then went on to work in fashionable studios in Paris and Cairo. He is fascinated by big cities. As much as he settles anywhere, he has settled in Geneva. This 37 year-old polyglot tells me the best part of his work as an interior designer is when a plan is executed to his satisfaction. I can’t resist asking about the worst part. He hesitates; there is a mischievous smile on his face. “It’s when someone loves something I’ve totally screwed up!”

Martin La Roche 1

Martin’s only hobby, on which he spends hours, is drawing. He labours over minutely detailed pen-and-ink urban scenes. His first exhibition in 2011 was a series of aerial views of imaginary but detailed street-views. They are delicate and static; every feature is spaced to give a monotone, Japanese feel. These works are perfect for the walls of the chic offices in Geneva’s business quarter.

Martin La Roche 2

A friend challenged him to do something similar based on a real city. Martin freely admits to the influence of Turgot’s 1734 Plan de Paris in meeting the challenge. He has executed a remarkable 360 degree view of Geneva centred over Place Bourg de Four. It is not imaginary, but I simply cannot imagine how he did it.

Alison Hale’s horses

Alison Hale grew up and still lives on the rugged west coast of New Zealand’s South Island. She has painted every facet of country life there and has won high acclaim for doing so. New Zealanders collect her work avidly seeking a glimpse of a bygone era.

Alison Hale 1

Dark of the Night: 70cm x 50cm oil on canvas.

Alison’s formative years were spent riding, rounding up, caring for and dreaming about working horses; no surprise then that horses feature prominently in her painting.

Alison Hale 2

Unfinished Business: 122cm x150cm oil on canvas.

Her horses live. They are anatomically and ergonomically correct. Her oil is liberally thinned and in places runs down the canvas reminding the viewer of the never-ending west coast rain.

Alison Hale 3

Out of the Blue: 93cm x 21cm oil on canvas.

Alison is based in the unlikely mining town of Reefton. Since I met her there in 2006 working in her studio, her theme has moved steadily away from a wet and gritty country reality towards the equine dream-world of her younger days. Now, elegant fantasy horses in fantasy settings step forward onto her canvases. These are beautiful, technically accomplished and captivating paintings. They too will be eagerly collected by her compatriots.