About Robin

Occasional painter. Golfer. Fascinated by humanity. Passionate about beautiful stuff, the people who create it and its narrative.

Northumberlandia

Northumberlandia 1

I have a meeting with a lady. She is, apparently, very beautiful. She is called Northumberlandia. Although we have not met before, I know I am about to become one more admirer. I drive a long way to our rendez-vous in Northumberland, England. The weather gods have served up the vilest of British weather for our first encounter. I emerge from a dripping beech forest and catch my first awe-inspiring side-view of her face and breasts. She takes no notice of the lashing wind and rain.

The full extent of her beauty is revealed when, later, I go on-line and find an aerial view taken in unimaginable sunshine.

Northumberlandia 2

Ol Batten’s award winning drone photo of Northumberlandia, 2015

Northumberlandia, seen from above or explored at ground level, has the air of some ancient pagan queen. She is immense. She exudes fertility. Her coy pose and raised right index finger indicate that she is at once inviting and admonishing. Her vital statistics are impressive. She is four years old. She is 400 metres frown crown to toe. Her nose is 40 metres above the ground. She weighs 1.5 million tonnes. Her features are drawn by six kilometres of sandstone paths. She is beautiful stuff on a grand scale. I am smitten.

This is one more dazzling project conceived by architect-sculptor Charles Jencks who took inspiration from the feminine forms of the distant Cheviot hills. Today, these hills are lost to view.

Northumberlandia 3

Big public sculpture doesn’t get better than this. The whole enterprise was sponsored by the BANKS Group. They run the adjacent Shotton surface coal mine from which the rock and clay for the construction were transported. DEFRA provided additional funds. The land was donated by the Blagdon Estate. The site is co-managed by the Land Trust and the Northumberland Wildlife Trust. It warms my heart that such co-operation is possible in the spirit of creativity and environmentally conscious development.

Northumberlandia 4

I stand atop her right breast. I can’t help thinking that the undulating green of her right hand could have been the work of Old Tom Morris.

I am alone. The wind blows harder. I struggle unsuccessfully to keep my camera dry. I decide to take cover in the visitor centre. I meet Wayne, Northumberlandia’s warden. Today, he has time to chat. Nice guy. He makes me a warming cup of coffee. He is justifiably proud of his charge. When the weather is fine, he tells me, the place is heaving. Last year saw 90,000 visitors. I buy a post card, say goodbye and trudge soddenly back to my car.  I am cold, wet, enthralled and enchanted. I am determined to see Northumberlandia again.

Fame and fortune in Vevey, Switzerland

Vevey 1

It’s said that, after Mickey Mouse, Charlie Chaplin‘s tramp is the world’s most recognisable character…… ever. I think it’s true; the little black and white figure with bowler hat, tiny moustache, tail coat and cane is everywhere in Asia and Africa. I guess this is because his fame came from the era of silent film; language wasn’t necessary to generate wide appeal.

Chaplin was barred from America in 1951 because the FBI believed he was communist. Vevey in Switzerland became domicile for him and his family. If you know where to look, you can even find his grave. It is something of a paradox that a statue in the memory of someone who identified with and highlighted the plight of the poor and oppressed can be found on the shores of Lac Leman in Vevey, Switzerland; just about the wealthiest little town in Europe.

Vevey 2

This is a much loved statue. The shabby-comic-sad air is captured. If it moved, there is no doubt the walk would be immediately recognisable. Note the left arm and shoulder burnished by thousands of hands; everyone wants their photo taken arm-in-arm with “Charlo.” Holding the flower-girl’s rose to his heart, he looks out onto the calm waters of the lake. Something seems to have caught his eye. Maybe he is reflecting on why Vevey is so wealthy?

Vevey 3

A massive eight metre stainless steel fork is embedded in the water’s surface. It is pristine, clean and intriguing. It is arresting for sure. This is the work of Jean-Pierre Zaugg. It is the lakeside showpiece of the Alimentarium; a food-discovery museum steeped in the history of one of Switzerland’s best known – and Vevey based – multinational corporations: Nestlé. I look at the fork. I take a photo or two. And yet, my enduring fascination with Chaplin’s genius inevitably draws my thoughts away from a celebration of food to the spaghetti scene in Chaplin’s “City Lights.”

Big luggage people at Amsterdam airport

I am in transit at Amsterdam’s Schipol airport. Everyone is in a controlled rush. Irritated travellers swerve around me when I stop to take a photo of two huge figures that sit in the middle of the walkway. Before I too move on, I feel the surface of a massive bronze shoulder; it is cold and assertive. I tap my knuckle against it and am rewarded with a satisfying note, deep and rich.

Big luggage people

Tom Claassen “Two incredible sitting black snowmen” Bronze 2000

I have seen Tom Claassen‘s “Two incredible sitting black snowmen” before. I wasn’t wowed. However, finding them here really grabs my attention and flicks the mental switch on a little bit of neuronal circuitry that tells me “This is beautiful stuff!” I guess it’s about context.

Claassen’s figures look like two tired people. Their sitting pose is weighty but anatomic nevertheless. I am reminded of a couple of breathless fat kids after PE. At the same time, with their seams and soft corners, they represent battered baggage waiting to be collected. The in-context appeal comes from the fact that they represent us, how we feel and what we take with us when we travel. Passengers and luggage, as far as airlines and airports are concerned, are commodities that have to be moved around efficiently. Inevitably, our air travel experience involves total depersonalisation. So, just look at the lack of any human expression on the faces of our bronze friends!

Another subliminal bobs to the surface. It’s the fat kid thing combined with the resemblance to couches upon which we sit and watch television. The western world is currently gripped by an epidemic of obesity. Hence, these figures are totally contemporary in their placement at Schipol. With a kind of tired ambivalence we just accept the  inconvenience and discomfort of air travel as we expect convenient access to comfort food.

No surprise that, given the chance, I would rename Claassen’s masterpiece “Big luggage people.” Bravo team Classens – Schipol!