About Robin

Occasional painter. Golfer. Fascinated by humanity. Passionate about beautiful stuff, the people who create it and its narrative.

Take a minute in Scourie

The village of Scourie is just about as far north as one can go in Scotland. It is set in an area of majestic natural beauty. It is best known for the Scourie Hotel that, for decades, has been a fisherman’s mecca. An aerial view gives an idea of just how small the village is.

Scourie 1

Photo thanks to the Sutherland Partnership

So what is there of interest to Talking Beautiful Stuff? Inevitability and sadly, it is the war memorial. Fifteen men from Scourie died in World War I and nine in World War II. It is difficult to imagine the grief felt by this tiny community.

As I try to find the best angle to photograph the beautiful, poignant sculpture, a German couple in a campervan stop to consult a map; a Land Rover full of determined tweed roars off for a day on the Dionard River; the BT engineer drives past and waves a cheery hello. This is Scourie nearly one hundred years later. Nevertheless, the memorial has an abiding and tranquil presence in the village.

Scourie 2

I find myself drawn to this memorial statue more than others for the words that it evokes. Calm. Dignity. Respect. The authenticity of the Lee Enfield rifle pleases me as does the way it is held. I look closely at the marble face; it is almost alive. There are other words. Youth. Innocence. Family. Loss.

Scourie 3

I look around for the name of the master sculptor who can capture all this in marble. There is neither inscription nor discrete little plaque. Later, an internet search reveals nothing more. This exquisite and delicate work is anonymous.

Like Garth, our guest blogger, who visited the Memorial to the Confederate Soldier in New Orleans, I feel moved by the humanity and sensitivity of such enduring tributes to the dead of conflicts that have changed the world. If ever you are in Scourie, find this memorial. Let the soldier’s face take a minute of your day. Be moved.

The memorial is set back from the road, opposite the Greenhill B&B.

Humanité(s): An exhibition of sculptures at the John Knox Centre, Geneva

The John Knox Centre sits in a quiet leafy suburb of Geneva. To commemorate the 60th anniversary of the centre, 22 members of Visarte.Geneve were asked to contribute to an outdoor sculpture exhibition. It opened last Friday 31 May. According to Guy Schibler, President of Visarte.Geneve, the exhibition “Humanité(s)” recalls the acts of barbarity of the 20th century but in a message of humanism. “It brings together art and thought” he says.

John Knox 1

Fusion / Fission (daytime) by Vincent Du Bois. Metal.

John Knox 2

Fusion / Fission (nighttime) by Vincent Du Bois. Metal. Photo thanks to John Knox Centre.

The choice of works and their titles reflect the spirit of the centre; namely, peace, humanitarianism, tolerance and mutual comprehension. However, the sculptures vary in the degree to which they are faithful to this spirit; to my mind, this is unimportant. These are beautiful, accomplished and intriguing works that represent the sculptors’ ingenuity, imagination and dedication to their calling.

John Knox 3

Untitled by Laurent de Pury. Wood assembly.

John Knox 4

Sahmanakar by Monique Waurin. Ceramic, sandstone, porcelain and enamel.

John Knox 5

…Dans la tiédeur des fleurs les buffles noirs sont couches… by Jean-Marie Borgeaud. Bronze.

In May of 2013, it would be too much to hope that the opening of an outdoor sculpture exhibition would coincide with a warm, sunny afternoon. I attempt to capture images of this impressive collection and struggle to keep my camera dry; then I realise the cold, grey atmosphere and the constant drumming of rain on leaves adds a solemn and appropriate gravity to the exhibition.

John Knox 6

Humanité by Laurent-Dominique Fontana. Concrete and wood.

The exhibition runs until 15th September. Whatever the weather, it is well worth visiting. Take your time. Reflect.

With love from Mireille Zagolin

It is raining and I am cold when I meet Mireille Zagolin at her studio in Nyon near Geneva. Her warm welcome includes a huge mug of hot tea. We chat. She is at once effervescent and charming.

Mireille Zagolin 1

She tells me how, already a wife and mother, she took up painting more than twenty years ago. Sculpting began ten years ago. However, working with oil on canvas is her primary passion. In this medium she can let her imagination fly. Her spirits range far and wide on a hunt for inspiration. By contrast, she has found working with clay appeals to a much more personal, inner part of her being. I see she has difficulty putting this into words. To change the subject: whose work does she admire most? No surprises: Nicolas de Staël and Camille Claudel.

Mireille Zagolin 2

Untitled, 1990, 60cm x 40cm, paint on silk

Amazingly, Mireille has taught herself to paint and to sculpt. It is obvious that she has talent in abundance. I ask about her best creative moment. “My first exhibition!” She says without hesitation. “It was a great success… and a huge adrenalin rush!” She sold everything bar one silk painting which she shows me. It is delicate, feminine and floral. It heralds her beautiful stuff to come.

Mireille Zagolin 3

Mireille Zagolin 4

Inevitably, I ask about her worst creative moment. This is the only time during my visit that she is not smiling and laughing. She admits that she has never been asked this. She is silent for a minute. Her face clouds over. Eventually she says “It is when I lose that intimate connection with a clay I am working on; I can’t move forward.” There is the key word: “intimate.” Everything that she creates has a profound air of intimacy together with a distinct femininity. Whatever the medium, her work exudes sensuality and is suffused with love.

Mireille Zagolin 5

My King, my Queen, 2013, 60cm x 60cm, oil on canvas

Mireille Zagolin 6

L’amour en voyage, 2013 80cm x 80cm oil on canvas

To visit Mireille’s studio is to be dazzled by striking passages of colour and seduced by beautiful bronze curves. I leave with two of her stunning new canvases in mind as I head out into the rain. But I won’t be cold. I have had a wonderful and warming afternoon. Thank you, Mireille.