Discarded Hollywood Glamour

Neighbours moved away yesterday. They must have dropped a picture and left it on the street. Familiar faces catch my eye; one in particular always gets me thinking.

Discarded Hollywood Glamour 1

I separate the damp poster from its smashed frame and lay it on the pavement. The photo is at once charming and amusing; it was taken at the premier of “How to marry a millionaire” in 1953. I love the interactive snap-shot-moment of these three stars.

Discarded Hollywood Glamour 2

Lauren Bacall seems to be admiring – and tolerating with good humour – her husband, Humphrey Bogart, who is clearly admiring something else. I imagine that he has just wise-cracked something risqué to Marilyn about some juicy titbit that he has eaten and the need to wipe his fingers afterwards. And then of course, there’s Marilyn, the greatest female icon ever, just lapping up all the attention.

Everyone would know that smile. Not everyone would know of her courageous stand and work for women in the male-dominated Hollywood of the day. Few would know that after her death, investigators’ photos of her lying in her bed were published. Worse still, mortuary photos of her awaiting a post-mortem examination were likewise published. I know of no other celebrity whose person has suffered this particular violation of privacy nor been the subject of such a gross breach of medical ethics. I find it sad that such a bright star should die with such indignity.

Three favourite snaps nominated for the 2018 Geneva Photo Awards

I’m at Galerie La Cave, this week hosting 2018’s Geneva Photo Awards. There are lots and lots of photos on the walls, all submitted by local photographers. One of the friendly hosts hands out pens and papers and asks visitors to “vote for your three favourite photos.” The most popular photos will be announced at finissage on 25 March.

Swiss Photo Club GVA Awards 2018 5

I look. I stop. I think. There are photos of people and animals, landscapes and streets, concrete and abstract. Many of them are technically accomplished. Some capture moments, others evoke emotions. But there is no common narrative or theme, and there are no captions. I struggle, but manage to narrow down my favourites to three. I take photos.

Swiss Photo Club GVA Awards 2018 1

“Karnak” by Arnaud Chamorel

I love the harsh contrast and light in Arnaud Chamore’s photo from the Karnak Temple Complex in Egypt. It reminds me of Gabriele Croppi’s photos of European metropolis. Whatever camera and editing software Arnaud used, the contrasty and monochromatic result is bold, moody and elegant! Unfortunately, there’s little space on the wall at home.

Swiss Photo Club GVA Awards 2018 2

“Le Tram Blur* by Neil Maccormack

Neil Maccormack’s photo of Rive is fun! The fisheye-distortion combined with a long-exposure makes the whole place look like a funfair. We all know that it’s not, but that doesn’t matter. I appreciate photographers who go that extra mile to find a fresh view of a scene often experienced from only one or two perspectives.

Swiss Photo Club GVA Awards 2018 3

“La Jonction Canard” by Frédérique Tissandier

The third and last photo getting my vote is shot by my colleague Frédérique Tissandier. The one-legged duck looks happy, ready take a dip in river Rhône. A simple composition with balanced colours like this can never go wrong. Well done, Fred!

Unless memory fails, this is the third year the Swiss Photo Club hosts the Awards. It’s clearly a very clever way of encouraging local photographers (their family and friends) to share their best photos and meet up with people who share the same passion. Well done, guys! I’m looking forward to next year’s edition, and perhaps I will then submit one of my photos…

Rio 2016 through the lenses of four photographers

Rio 2016 photo 6

I visit the Olympic Museum to check out “Rio 2016 through the lenses of four photographers” even though sports photography has never been my thing. I consider myself a decent photographer but before I even see the first photo, the exhibition challenges me. “Everyone’s a photographer” it states in the introduction and then, rather like Orwell’s pigs, goes on to say “some more than others!” I discover that this is true and am humbled by what I find.

Rio 2016 photo 1

Four professional photographers – obviously from the group “some more than others” – were invited to exhibit their favourite shots from the 2016 Rio Olympic Games.

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Mine Kasapoglu Puhrer (TUR), John Huet (USA), David Burnett (USA) and Jason Evans (USA) have done much more than capture great moments in sport. They provide an archive of the passion, emotion, and even unintentional comedy that is the human face and real draw of the Games. In addition, each great image is garnished with a little unexpected detail.

Great sports photographers have an eye for the image and for the moment. I mean, just take a look at the cover photo of David Burnett’s book (above). And the photographers admit that they are constantly exploring new angles, new compositions, new techniques and new narratives even though they’ve been in the business for many years.

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What a contrast between these two images: women’s hockey and women’s golf!

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The video interviews of the four photographers fascinate me:

“Sometimes winners have this different face before they win, it’s really exciting. I like to play with that photographing the moment before the race, the start.” – Mine Kasapoglu Puhrer

“You have the best photographers in the world coming together and creating their own photo Olympics. It’s like the athletes, every photographer is trying to be the best, they want to beat the people next to them, they want to beat everybody in the room. – David Burnett”

“You still need an emotion, you still need a story, you still need to find what that is, even though the technology helps, it’s just a tool. You have to use it wisely and properly. – Jason Evans”

“If you see the photograph through your camera lens, you don’t have, it’s when you don’t see it is when you have it.” – John Huet

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The photographers also make reference to the implications of technology for their work. Twenty years ago, sports photographers shot on film. From clicking on a top shot through development to sale for publication took about 40 minutes. Now, a captured image can appear on a news website anywhere in the world in under one minute.

The exhibition lasts until 9 November. It’s a must-see for everyone (who’s a photographer!)