WOW! (Again!)

Posted on 16.01.2014 by Robin

Nelson, New Zealand. A cute little town at the north of the South Island. It has become a bit of a destination. I visit the World of WearableArt™ and Classic Cars Museum to see the winners of the 2013 World of WearableArt™ annual show held in Wellington. WOW!

To walk into the museum is to be bowled over (again!) by the artistry, attention to detail and pure hard work that has gone into the pieces. The imagination behind them is staggering. In a previous post, I described the World of WearableArt™ as “one of the more astonishing testaments to the human impulse to create beautiful stuff.” I haven’t changed my opinion. Have a look at three of last years winners. (And don’t you love the pink dress made out of fibreglass?)

25th Jubilee Guest, Margarete Palz, Germany. Photo credit: World Of WearableArt™ Ltd

Inkling, Gillian Saunders, New Zealand. Photo credit: World Of WearableArt™ Ltd

Chica Under Glass, Peter Wakeman, New Zealand. Photo credit: World Of WearableArt™ Ltd

The World of WearableArt™ seems to get bigger and better each year. The charming and helpful team at the museum tell me that there are plans afoot to make the show a truly international phenomenon. I wish them luck… but I don’t think they need it. There’s a certainty about the stellar destination of this enterprise. When the show goes on the road, I really hope we see it in Geneva.

Gold! Tutankhamun’s tomb and treasures in Geneva

Posted on 16.12.2013 by Isaac

On 4 November 1922, British archaeologist Howard Carter found the steps leading to Tutankhamun’s tomb in the Valley of the Kings. This epic discovery sparked a renewed interest in ancient Egypt, for which King Tut’s magnificent mask is the symbol.

The other day, I had pleasure to walk in the footsteps of Carter himself and take a close look at a reproduction of the burial mask and all other stuff retrieved from the almost intact tomb. “Tutankhamun – his tomb and his treasures” is a spectacular, must-see exhibition in Geneva.

Google tells me that Tut’s mask was believed to strengthen the spirit of the mummy and guard the soul from evil spirits on its way to the afterworld. Made of gold and gems, the mask shows the stylized features of the ancient ruler. What a jaw-dropping piece of beautiful stuff.

Besides the mask, Carter found gold. Tons of gold. Among my favorite items is a flock of bizarre and mean-looking creatures protecting the pharaoh. Though being replicas, these little fellas are full of life and seem to be following every step I take. Goosebumps!

Unfortunately, we will never know much about the craftsmen who decided to (or were forced to) dedicate their lives to creating these extraordinary items. The “who” of this Talking Beautiful Stuff post therefore remains unknown. But that doesn’t matter much.

The discovery of Tutankhamun’s tomb is a fascinating story in itself. It’s about passion. It’s about the unknown. It’s about adventure. I left the exhibition pondering over what people digging out the leftovers of today’s civilization will think. I doubt they’ll be impressed.

You can explore the tomb of Tutankhamun in Geneva until 12 January 2014. You will not be disappointed. Voici une petite pub pour les francophones qui suivent le blog !

Glass House Mountain Mosaics

Posted on 16.11.2013 by Robin

The Glass House Mountains National Park in South-East Queensland, Australia is spectacular. Thick gum-tree forest stretches as far as the eye can see. The mountains themselves are the remains of the innards of massive volcanoes dormant for millions of years. These hills – protruding from an otherwise flat Australian landscape – carry special significance in Aboriginal mythology.

The visitor centre on Mount Glass House is beautifully laid out with explanations of the geology and helpful guides to the wildlife. In the blistering heat, most animals of interest stay hidden. Apart from the view, what catches my eye are charming little mosaics set into the discrete concrete walk-ways. This is a clever addition that encourages the visitor to look not only at the far horizons but also at his or her feet.

There is no information, either on-site or on-line, about the “Who” and “When” of these mosaics. The unknown, expert hand has carefully placed fragments of tile in keeping with classical landscape colours. The rusty tones of the vertiginous rock faces are captured by a surprising variety of hues. This picky work appeals to me. There is something delicate here. You don’t really want to walk on it. As I so frequently find, the person who brings beautiful stuff to public places goes unrecognised.

Is there a little recall of aboriginal paintings in the foreground here? At least, one ‘roo came out to complete the picture!